Research Journals

It is not often that left-wing politics is associated with attributes such as humour and wit. Stevphen Shukaitis' book Imaginal Machines (2009) is not only abundant with it but shows that certain strands of imaginative revolutionary politics in the 20th century were also endowed with those precious qualities. This journey through the radical imagination of the left, written in a compelling and entertaining style, is definitely worth a read for everybody interested in radical and antagonistic politics.

Hallo zusammen,

hier ist ein Interview, das ich mit Chantal Mouffe und Ernesto Laclau im Rahmen der Konferenz "Culture, Media: Protest" Anfang September in Luzern geführt habe.

Clemens

This excellent book by Harry Braverman revolves around the main thesis, that labour in the 20th century has become 'degraded'. The combined effects of mechanization, scientific management and other control techniques allowed management to wrest control from workers and enforce, under ever changing circumstances, alienating practices onto workers across all industries, including office and service jobs.

Following on to Brian's listserv post, I would like to add a few more points on periodisation. Although Kondratieff cycles or long waves do play a role here, the intention is not an in-depth discussion of the long wave theory. The intention is rather to create a foundation for a narrative that describes the second half of the 20th century as an interplay of economic, political, technological and cultural forces, seeking out turning points that allow to identify specific characteristics of techno-economic changes as an explanatory framework for specific cultural or artistic phenomena, such as participatory media and / or media art and technology practices.

Warum das Umfeld von Social-Web-Applikationen eine Nutzung abseits von Spaß und Selbstinszenierung unterbindet.

Mit 20.000 Mitgliedern innerhalb einer Woche war die Gründung der Facebook-Gruppe Freiheit im MQ Anfang Juni – bescheiden ausgedrückt – ein Erfolg. Kein Wunder, ging es doch darum, die Gemütlichkeit und Offenheit des Wiener Museumsquartiers gegen die Wächter der MQ-Direktion zu verteidigen. Kein Konsum selbst mitgebrachter alkoholischer Getränke – wenn das kein Anlass ist auf die digitalen Barrikaden zu steigen?