Last weekend, Saturday 15th of September, a wireless community weekend was held in the rooms of the former MedienKunstlabor at Kunsthaus Graz. Wireless community networkers from Funkfeuer Wien, Graz and Bad Ischl met with guests from Berlin (B.A.T.M.A.N) and Italy/Netsukuku.
Goodbye Privacy, curated by Ina Zwerger and Armin Medosch for Ars Electronica, was a rich 2 days of presentations and provocations. Some of the papers are available on line at nettime, and maybe in other places...
Here's a link to Brian Holmes's paper, 'Cybernetics and the Control Society':
Earlier this year I was invited to work as a Guest Curator on Coding Cultures, a project initiated by d/Lux Media Arts in Sydney.
It had 5 main elements: artist residencies (Proboscis from the UK, and mervin Jarman from Jamaica with Camille Turner from Canada); workshops, a symposium, a book, and a country gig in the remote mining town of Broken Hill.
'A Handbook for Coding Cultures' was a small-run free print publication which is also available for download at:
Last year I drew on some of my Masters research* to write a chapter for a book on Open Source Software.
My text is titled 'Social Technologies and the Digital Commons' and the book is Handbook of Research on Open Source Software: Technological, Economic, and Social Perspectives, edited by Kirk St. Amant and Brian Still.
Well, my original proposal for my PhD was very big and completely unrealistic. And the first 18 months have been spent either ignoring it or trying to shape it into something do-able. So now I have a skinny synopsis, and some tendrils of questions...
Working title: Small Media, Soft Ecologies: exploring digital-social interventions
Background to the meal: A soup I am cooking tonight for Furtherfield mob. It's a soft exchange for being their house guest in their flat in Haringey, London--and for FF allowing me to interview them for my PhD research.
Furtherfield are a core of 2 - Ruth Catlow and Marc Garrett - who for the past 10 or 11 years have established and nurtured networked art and cultural experimentation - via online and offline playful participatory structures.
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