English

The point of the technopolitics project is not so much to carry out an original historical analysis of industrial capitalism, but instead, to test and modify the existing theories and then use them for engaged cultural critique. That requires a lot of reading and evaluating of ideas. To get through the existing literature without getting lost along the way, we’ll periodically have to reformulate what we're talking about. Each reformulation will add something, subtract something, forget something; but the essence is to keep on working cooperatively. To that end I want to propose ten postulates. They revisit what has already been written in the programmatic text on technopolitics, but with a different emphasis, mainly in terms of geography, culture and the cumulative nature of historical sequences. They're not set in stone, just some departure points, and it may be that a magical eleventh postulate is needed. Here they are:

Whether it originates from statistical tabulation or remote sensors, whether it flows in real time or out of recombinant databases, whether it serves the needs of private individuals, globe-spanning corporations or government agencies, information visualization is the operative technology of the networked age, a language of vision for the control society. Infoviz proliferates on the screens of factory workstations, financial trading floors, military commands and surveillance watchspots, everywhere that decisive movements are subject to managerial scrutiny.

In 2007 the conservative English historian Niall Ferguson and co-author Moritz Schularick wrote an article entitled 'Chimerica' and the Global Asset Market Boom, in International Finance, 10:3. A new text by Hung Ho-Fung gives a lot more depth to their analysis.