This text is written in preparation for two upcoming talks and highlights a few aspects of my PhD thesis-in-progress "Automation, Cybernation and the Art of New Tendencies (1961-1973)". New Tendencies were one of the first postwar movements in art to focus on visual research as a way of redefining the role of art in society.
This article is a first attempt to specify some technical and conceptual aspects of the productive process under Informationalism, and to cut through some of the ideology surrounding it. The text suggests the role of the imaginary both in enabling and potentially disabling this social form (i.e. the value-form as expressed in contemporary society); but it doesn't deal with the integrative processes. Some research on migrant labor struggles in the US intermodal and warehouse sectors is underway, so hopefully we will publish something on it soon. All comments welcome, changes can still be made. Thanks to Armin for the just-in-time critique on version 1.0.
This article examines the 'digital city' debate of the mid 1990s as a point of departure for a media-historical questioning of how technology and the discourse about technology were used as an experimental playground for new forms of knowledge that are fundamental for the understanding of today’s network society. This text has been presented as a conference paper at the 'networks and sustainability' track of the 'textiles' conference in Riga in June 2010. The paper will also appear in a special edition of the Arts and Communications Journal edited by RIXC at the end of 2010.
The housing-price collapse of 2008, the credit crunch, the bank failures, the downswing of the world economy, the fiscal crisis of the sovereign states, all have been expressed as wild gyrations in the global circulation of information, attention, emotion. Everything undergoes tremendous acceleration at the crucial moments, before the wave recedes into a blur.