post-modern

Notes on "The Postmodern Condition, A Report on Knowledge"

Author/s: 

The Postmodern Condition, A Report on Knowledge, by Francois Lyotard, first published in French in 1979, was not the first book to carry the word postmodern in its title, but probably one of the most influential ones in the long term, with both its warnings and sometimes its overly optimistic assumptions about the future of knowledge in a computerised society. Reading it now what is perplexing is the rather one-sided reception it has got. While Lyotard's critique of meta-narratives and the proposed switch to language games has characterised the postmodern debate, his ambiguity about the development of science and the university under the condition of neoliberalism appears to have been given much less consideration by his followers.

Theory of the avant-garde

Publication Type  Book
Citation Key  1123
Year of Publication  1984
Authors  Bürger, P.
City  Minneapolis
Publisher  University of Minnesota Press
Tertiary Title  Theory and history of literature, v. 4
Date Published  1984///
Publication Language  eng
ISBN Number  0816610673 9780816610679

Das Altern der Moderne : Schriften zur bildenden Kunst

Publication Type  Book
Citation Key  1124
Year of Publication  2001
Authors  Bürger, P.
City  Frankfurt am Main
Publisher  Suhrkamp
Date Published  2001///
Publication Language  eng
ISBN Number  3518291483 9783518291481

How We Became Post-Modern

Author/s: 

Notes on Das Altern der Moderne1 by Peter Bürger. Peter Bürger, Professor emeritus for literature and aesthtic theory, author of the Theory of the Avant-Garde2, a seminal text in art theory of the 20th century, in this collection of articles written between 1983 and 2000, re-examines some of the main concepts already at the heart of his earlier work, such as the difference between Modernism and the avant-garde, the historic avant-garde's often repeated ambition of bringing art and life together, and what constitutes the failure as well as the success of those movements. While the hopes of the historic avant-garde of permanent transformations of the social world were not rewarded, avant-garde ideas, slogans, strategies and aesthetic methodologies of the Futurists, dadaists and Surrealists have found a permanent place in the cultural 'history' by having entered the endless recycling relationships of contemporary culture via popular culture. Slightly different the case, then with Modernism, because it never had, or purpoted not to have, such a strong social agenda, yet here the name of the art movement is identical with the name of an age: modernity. In this respect, Bürger asks the fascinating question about the aging of modernity and how we became postmodern (or not).

  1. 1. Bürger P
    2001.  Das Altern der Moderne : Schriften zur bildenden Kunst.
  2. 2. Bürger P
    1984.  Theory of the avant-garde.

Ethics of the Sublime in Postmodern Culture

Publication Type  Conference Paper
Citation Key  568
Year of Publication  1997
Authors  Lutzker, E.
Conference Name  Aesthetics and Ethics International Symposium
Series Title  New York Studies in Media Philosophy
Volume  2
Conference Start Date  19/03/1997
Conference Location  New York
Key Words  philosophy, ethics, between, space, post-modern
URL  http://www.egs.edu/mediaphi/Vol2/Sublime.html
Syndicate content