Water
Floating Structure: A Platform for Artistic Measurements and Research
Posted March 10th, 2010 by Armin MedoschThis text is the preliminary outcome of a research project going back to 2003/2004 and developed jointly by Franz Xaver and Armin Medosch. It has a theoretical and artistic dimension as well as an activist one. At the point of its inception stood questions relating to the crisis of art in informational capitalism. The project sets out to bring some clarifications by word and deed about the relationships between art and technology, art and science and the role of the artist at the beginning of the 21st Century.
ARGO
Posted August 17th, 2009 by Lindsay
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Argo Buoys
Posted August 15th, 2009 by LindsayImage taken from NASA/Goddard Space Flight Center Scientific Visualization Studio.
http://svs.gsfc.nasa.gov/
Titanic
Posted December 31st, 2008 by LindsayElectric Chair
Posted December 31st, 2008 by LindsayEye Mouth
Posted December 28th, 2008 by Lindsay

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Queen Scallop
Posted December 28th, 2008 by LindsayOne of my better attempts at underwater photography whilst diving. The Queen Scallop is a beautiful creature whose colours really light up with the camera flash, making the opening between the two shells seem like diamond encrusted teeth. Any slight touch or sharp movement will send the teeth chattering, opening and shutting in an attempt to swim away; the first time I saw this I could not stop laughing as the movement really is like cartoon false teeth.
Alien Squid
Posted December 1st, 2008 by Lindsay- Lindsay's blog
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- Visit National Oceanography Centre, Southampton
Where the Radio Stops, the Music Begins
Posted November 22nd, 2008 by LindsayWhere the Radio Stops,
In 1895, Breuer and Freud published Studies on Hysteria, a seminal account of the development of the first scientific method for analysing the realities of the human mind, which suggested a new way of making inferences from the symbolic forms created in dreams using techniques such as free-association. This same year also saw the development of one of the first motion picture cameras by the Lumiere Brothers. The Cinematograph, a device that acted as a camera, developer and a projector, had its first public demonstration in the form of a twelve-film screening in Paris. The Cinematograph not only pipped Thomas Edison’s Kinetoscope to the post as the first publicised machine to enable a ‘cinematic’ event, but also hailed the start of an era of innovative communication, story telling and recording of realities.
